A friend of mine took me to a Georgie Fame gig the other night. For those of you who weren’t around in the 60s, Georgie was – and still is – one of the coolest guys around. Now 64 and slightly greyer round the edges, Georgie has lost nothing – and I mean nothing – in terms of his ability to please, tease and occasionally mesmerise an audience. Only a couple of hundred or so gathered together at the somewhat bizarre venue, Hampton open air pool, and for virtually the whole of the evening, rain poured down on the picnicking fans, turning meals mushy, sandwiches soggy, and white wine into spritzer, but there was a whiff of magic in the air as Georgie hunched over his keyboard and belted out his unique blend of jazz, blues and ballads.
As he delighted the faithful with classic hits like, Yeh, Yeh, the Ballad of Bonnie and Clyde and Get Away, what stood out for me was the fact that his voice is as powerful as ever and his enthusiasm and ability to hold an audience – even when they are soaked to their smalls – has not dimmed one iota. And his performance was greatly enhanced by some fascinating story telling between the songs.
There was a never-ending stream of tales based around hanging out with Jimi Hendrix, David Bowie and other giants of the 60s music scene but it was revelations about his late manager, Rik Gunnell, that really made compulsive listening. To say Gunnell was something of a character would be like saying the Pope gets religious now and then. Gunnell was a self-made entrepreneur who gave early breaks to the Rolling Stones, the Who and the Animals, ran trendy clubs, promoted rock festivals, made money his god and mixed with the kind of people who would bury you under the M1 if you looked at them the wrong way.
Georgie makes no secret of the fact that he lived the whole sex ‘n drugs ‘n rock ’n roll thing to the max. In fact when I was at university in Leeds in the 60s I knew a young lady whose claim to Fame was that she and Georgie had crossed more frontiers than Dr Who when they ended up in a phone box together one night. Come to think of it, I’m surprised Georgie never wrote a song about it. But then again maybe he did. Bearing in mind the lady in question bore a close resemblance to one of Gunnell’s gangster buddies, perhaps he based the lyrics of (Gotta) Getaway on that particular close encounter.
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